Nestled within the quaint embrace of a charming small town, a familiar yet distinct story unfolds on the canvas of ‘Rahel Makan Kora.’ A mother, her son, his paramour, and the tapestry of connections that bind a close-knit community come together in this latest family drama sensation. ‘Rahel Makan Kora’ is an artfully woven narrative, reminiscent of timeless Malayalam family classics. The film harmoniously blends the strains of romance, humour, and familial bonds, delivering an emotionally charged cinematic journey. What sets it apart is the depth it plunges into – a reflective exploration of the lives of M Panel conductors within Kerala’s Public Transport Services, both their professional tribulations and political challenges. This compelling storytelling unveils the trials of widowed mothers and their offspring in the conventional backdrop of Kerala society, resonating profoundly with its audience.
The journey begins within the confines of a KSRTC bus, where Gouthami, an M-panel conductor, starts her day. Enter Kora, the newly recruited junior M Panel conductor, eager to learn the ropes from Gouthami. Strikingly, Kora and his mother Rahel have relocated from Pala to Alappuzha, a twist of fate that places them right in Gouthami’s neighbourhood. As Gouthami and Kora bond over shared childhood losses – the absence of their fathers – an unspoken connection develops and eventually blossoms into love. The film thoughtfully delves into the unique perspectives of those who’ve navigated life without paternal guidance, crafting an engaging narrative that resonates deeply.
Anson Paul celebrated for his roles in ‘Abrahaminte Santhathikal’ and ‘Aadu 2,’ steps into the spotlight as Kora, opposite Merin Philip, who masterfully portrays Gouthami. Their on-screen chemistry is an undeniable highlight, adding authenticity to the portrayal of their romantic relationship. Sminu Sijo, recognized for her roles in ‘Jo & Jo’ and ‘Janaki Jaane,’ takes on the role of Kora’s mother, Rahel. Sminu’s portrayal of Rahel is exuberant and charming, particularly in her scenes with Anson Paul, creating moments of genuine humour. Supporting roles from Althaf Salim, who plays the comical local politician Bheeman, and Vijayakumar, who portrays Kariachan, Rahel’s brother and Kora’s uncle, lend depth and humour to the narrative.
Helming the director’s chair is Ubaini, making a remarkable directorial debut after a prolific career as an assistant director. The story, screenplay, and dialogues, penned by Baby Edathua, lend authenticity to ‘Rahel Makan Kora’. Produced by Shaji K George under the SKG Films banner, the movie is a breath of fresh air in an industry often marked by edgier content. ‘Rahel Makan Kora’ offers a heartfelt and wholesome cinematic experience suitable for audiences of all ages. It rekindles the magic of family drama in Malayalam Cinema, steering away from the common trend of excessively muted dialogues, drug-related scenes, and profanity. The film’s endearing narrative is a testament to the enduring charm of heartfelt storytelling. Kailas’ music and Shiji Jayadevan’s cinematography enhance the film’s emotional resonance.